RPM Orchestra provides the film score as silent classic The Cabinet of Dr. Caligari screens, during this one-night only event, at FilmBar Phoenix.
A 1920 German silent horror film directed by Robert Wiene, it is one of the most influential films of the German Expressionist movement and is often considered to be one of the greatest horror films of the silent era in film.
A look at the subversive movement that started during the AIDS epidemic of the 1980’s and continues strong today. Covering zines, films, bands, art, hi-jinks, and more from the likes of Bruce LaBruce, G.B. Jones, Genesis P-Orridge, John Waters, Kathleen Hanna, Kim Gordon, Peaches, and many others you might just have heard of. Get your fill of rad-queer, riot grrrl, diy punk, camp, and awesome right here! This one is making the film circuit and will hopefully be out for the rest of us soon.
L7: Pretend We’re Dead takes us on an all-access journey into the 1990’s grunge movement that took the world by storm, and the band that helped define it as the genre of a generation.
Culled from over 100 hours of vintage home movies taken by the band, never-before-seen performance footage, and candid interviews, L7: Pretend We’re Dead is an engrossing time capsule told from the perspective of L7, these true insiders who brought their signature blend of grunge punk to the masses!
Chronicling the early days of the band’s formation in 1985 to their height as the ‘queens of grunge,’ the film takes a roller coaster ride through L7’s triumphs and failures, a classic tale of rags to riches to rags.
Screening at Filmbar in Phx on October 7 and out on DVD on October 13th covering the span of the 20+ years of the fierce lady punks that make up the revolutionary grrrl band, L7. Featuring interviews with Exene Cervenka, Shirley Manson, Joan Jett, Lydia Lunch, Allison Wolfe, Allison Robertson (Donna R), Brody Dalle, and more.
By now, I’m sure everyone here is quite familiar with Fat Wreck Chords and the ever-so-colorful Fat Mike. Some of us may even be familiar with how it began and the hundred plus bands that have touted the Fat Wreck seal of approval on one or all of their releases. The alumni list is pretty hefty, particularly if you include subsidiary labels Honest Don’s and Pink & Black, which unfortunately, were barely mentioned in this documentary. I have more complaints being a terminal curmudgeon, but we’ll get to those later.